About the Artist

Photo of Gladys Camilo. 
                She is facing the camera with a serene expression on her face. Her hands are resting behind 
                her back as she tilts her head slightly to the left. She is wearing a green and white stripped
                dress.

Image by Helen Korpak

Gladys Camilo (she/her) is an interdisciplinary artist whose practice centres on sustainability and the natural world. Camilo’s work investigates how care—both as a labour and a material—shapes personal and collective identities.

Her work is guided by an intuitive and emotive approach, often incorporating upcycled materials and natural dyes. In addition to her visual art, Camilo is a cultural worker and DJ whose projects foster reflection and dialogue around care, identity, and collective well-being. She is currently a member of Feminist Culture House ry and MYÖS ry.

Manifesto

I create from the spaces in between reality and the subconcious, the self and the other.
My practice is situated in care for the self and the material; care as a method drawn from m/othering: a generative yet complex space where creation, trauma, and healing converge.

I am guided by intuition, memory, and emotion, with the belief that materials, like people, have memories. It is the material and its processes that carry context, while I act as a vessel that interprets and brings forth its fortunes.

I collect and I archive materials, relics, family photographs—these fragments serve as a starting point. Through them, I reassemble memories and reimagine forgotten feelings into new, otherworldly realities.

Within my practice, I allow space for interpretation, ambiguity, and emotion.

My textile sculptures and paintings act as carriers of these layered narratives, holding both tenderness and weight.

This work is a living record of care, trauma, and imagination.
It is a conversation with ghosts, a reweaving of identity and an offering to the future.